A PRAGMATIC ANALYSIS OF HUMOR IN THE UPSIDE MOVIE WRITTEN BY JOHN HARTMERE FROM THE PERSPECTIVE OF FLOUTING GRICE’S MAXIM

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dc.contributor.authorRamadanti, Saskia
dc.contributor.authorKinanty, Ayumi Niken
dc.contributor.authorKumalasari, Risma Dwi
dc.contributor.authorNafilah, Zahrah Faza
dc.contributor.authorFarida, Sasmi
dc.date.accessioned2021-02-20T07:08:29Z
dc.date.available2021-02-20T07:08:29Z
dc.date.issued2020
dc.description.abstractThe focus of this study is to identify what type of Grice's maxim is flouted to raise humor in a movie entitled “The Upside” and what types of humor are produced by flouting these maxims. This study aims at discovering the types of Grice's maxim and how those maxims are floated to raise humor. The research is conducted by using a descriptive qualitative approach for the data in the form of words rather than numbers and statistics. The sources of data are taken from Upside Movie (2017). The study began by watching the film to collect the data. The data are collected by using a table and analyzed them based on the Grice theory of flouting the maxim. In the end, the researcher draws the conclusion which is following the research finding. The results of the analysis show that four types of flouting of maxims are found; maxim of quality (25%), maxim of quantity (45%), maxim of relevance (10%), and maxim of manner (20%). The types of humor are found in this research are sarcasm (25%), replies to rhetorical questions (5%), clever replies to serious statements (10%), overstatement and understatement (10%), irony (5%), pun (10%), teasing (10%), double entendres (15%), and self-deprecation (10%).en_US
dc.identifier.issn0038-111X
dc.identifier.urihttp://repository.widyatama.ac.id/xmlui/handle/123456789/12706
dc.language.isoenen_US
dc.publisherSolid State Technology Volume: 63 Issue: 4en_US
dc.subjectPragmaticsen_US
dc.subjectHumoren_US
dc.subjectCooperative Principleen_US
dc.subjectFlouting Maximen_US
dc.subjectTypes of Humoren_US
dc.titleA PRAGMATIC ANALYSIS OF HUMOR IN THE UPSIDE MOVIE WRITTEN BY JOHN HARTMERE FROM THE PERSPECTIVE OF FLOUTING GRICE’S MAXIMen_US
dc.typeArticleen_US
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